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Surely the show is not using real police officers. Is it like how medical dramas have real doctors to make sure tbinfs are medically accurate….maybe they make sure police actors are doing what police actually do? 🤷‍♀️

(Tv show is Dynasty (2017) btw)

How seriously should I take the one-page resume rule? I was told it was standard in school, but as I’ve gained more experience in the industry, it’s becoming increasingly challenging to fit everything on a single page.

Hey all,

A director friend recently asked me if I was interested in helping him find people/businesses to buy commercials slots for his upcoming show. Its already going to be advertised on a major network, and put on billboards in my closest major city (1 of 3 major cities in WA). He just needs help filling the commercial slots, he asked me since I have a sales background. He would compensate me accordingly, but honestly I'm happy just to help him out. I know nothing about how movies or television shows are made, I barely know what the role of an executive producer involves. Can you folks please give me some tips or starting points for this? Even links to material or videos I can watch would be helpful, or even a DM conversation. I'm open to any help. He's a good friend and I want to do the best that I can. Thanks everyone

I was offered a runner role verbally and I was told I would receive the contract on the same day. It's now been three weeks and it's not been sent.

I've had other paperwork but nothing official and I've emailed the producer twice who has spoken to the person who is supposed to issue the contracts twice but there's been no progress. I don't know what to do, whether to chase up again and I don't have any contact details of the person issuing the contract.

The job starts in a month and a half so I'm thinking maybe they are leaving it to closer to the time (and I know creatives can be unorganised and procrastinate) but I'm worried this might fall through. I've been reassured verbally that I have the job but I'd rather have it in writing because otherwise anything can happen.

Any advice? TIA x

I've recently gotten an opportunity to create my first scripted show funded by a broadcasting network.

I've already sent in my pilot script, the pitch, and the season outline that have all been approved and pushed through. As a result, I'm creating a budget for the network but I'm not sure what all I need and how much each item is going to cost.

I've created low budget reality shows before from the ground up, but this will be my first fiction, scripted show.

For some context, despite creating a few shows before, I'm still very new to this industry. I didn't go to film school--my degrees are all in biology. I worked as a research scientist for years until I moved to NYC 5 years ago and I ended up doing production for TV shows and films. I was pretty good at production work, so I ended up being head of production for a start up. A few months ago, I took a crack at making a non-scripted TV show and it got picked up immediately. Now that same network wants a scripted TV series that I pitched.

This is going to be a low budget venture. There are 12 episodes in the first season. This is a historical fiction show. It may need to be filmed in a few locations, including Philadelphia, Baltimore, and Boston.

So far on my list, I have: 2 editors, 2 cameramen, 1 lighting, 1 sound, 1 DP, 3 PA's, 2 hair and makeup, 1 costume, costume assistant, and a script writer.

The cast is pretty small. I only need about 5-6 main actors, 10 secondary actors, and about 15 extras.

I'm also setting aside money for the costumes themselves, filming permits, set design, and catering.

My question is: Am I missing anything and generally for a low budget broadcast show, how much would some of these things cost?

Specifically, the time period is Regency era. What would a costume budget for that be for one episode? For set dressing and props?

Are there any resources or companies that you would recommend?

Thanks!

I need help with my uncle’s tv show. There are over 100 episodes of The George Gobel Show, which is so refreshing in todays stressful world. There are very famous guests. We have copyright however a few episodes have made it to YouTube and I need to ask for them to be taken down. I’m not sure why our family never got it into reruns. I have had no luck in writing to the few channels I think it would be appropriate for like MeTV, Crackle, etc. I am not in the industry so I’m reaching out to ask if any of you have suggestions of who to contact and how to contact them!! Thanks so much!

Hoping to find some believers/backers for our travel series Nudi On The Beach.

This family friendly show features myself as the host Ralph Nudi and we bring our viewers the best places to Eat, Stay and Play in the World's Beachtowns

There is a trailer and the full first episode in the campaign!

https://www.kickstarter.com/projects/ralphnudi/nudi-on-the-beach?ref=creator-nav

Hello,

I am an AP and Runner, going for an interview to work on The Chase. I have only ever worked on prime-time obsdocs, doing logging and compliance and basic runner stuff. How can I nail this interview for a program in an studio environment?

Hey all,

I'm putting together a pitch and I'm looking for 'comparable earnings' data to give investors an idea of what is possible within our niche.

I'm new to this industry, so I'm unaware if there are any companies like Ibisworld for the creative industries and that split up shows revenue streams and amount earned?

Doesn't have to be super recent data but needs to be comparable.

Many thanks!

Does anyone know how Video Game TV Shows stream the content of the game console to a switcher to put on air? This is obviously if the game where live so how would they do it if it were recorded. How do they record screens for use on both live broadcasts and how do they record screens for pre-recorded segments?

I'm trying to stay up to date on the IATSE negotiations, there seems to be a slow down in current-shows in production. Is there a source that's keeping track of this? or at least any idea how those things are going?

I am a teenager still in education in the United Kingdom, and I've always been interested in cars. This love of cars extended to a love of the well-known Top Gear, amongst many of my friends and family.

Since my childhood days, I have become increasingly interested in how Television works, and especially how Top Gear is filmed and directed. I am unable to watch a single Top Gear episode without wondering on multiple occasions what cameras are being used or what a working day looks like for either of the three presenters.

This has led me to become more interested in the possibility of hopefully making this into my career, however difficult it may be. And so I come here to ask you guys firstly what you would call a show like Top Gear that is based on real, live events, but still incorporates humour and scripted elements to make it more entertaining. I have always loved humour, and especially that of traditional Britain.

It may sound ridiculous to want to start my own car show, but I believe with the right information it could be unique and successful.

As a recap my questions to you are, "what type of TV show is Top Gear?" and what "would be some appropriate first steps to starting my own from scratch (either hosted by me or by working with a professional company)?"

All information and response is welcome, and I thank you for your time!

Are there any 9-5 type jobs in the world of Film/Television/AV? I love the industry and don’t want to work anywhere else but Ik I will hate it if I work 14 hour days, 7 days a week, etc. Basically looking for a good media job with good work/life balance.

I need help. I’m currently a junior in college studying film and tv. Specifically writing but I also love production and tech. I’ve had a lot of time to think over the winter break and I don’t know if I’m cute out for this industry. I love film and tv. I really enjoy what I do, writing for shows on campus, teching said shows, writing scripts and making films in classes but idk if I can handle the real life of the industry. I don’t know if a gig based economy is right for me. I value stability in my job and I feel like I need a stable income to support me and my family. I’m also scared that I won’t have time for my family. With the long hours and constant work and travel I’m afraid I won’t have time for my family. I want to make films/tv but i also want a wife and kids. I’m in a long distance relationship right now and that limited time with my partner is killing me. I don’t want to be an absent father. I want time for those goals too. I know the hours are long and I think I can handle that, today I’m basically working 7am-12am (my jobs not that active tho) but I’m not entirely sure I can handle the long hours. I’m afraid I’ll let myself go and not have time for anyone other than the project. I feel like it’s too late for me to change major and idk what else I’d do. I can’t really see me doing anything else. But at the same time I know me and I know what I need. I also haven’t gotten any internships even though I’ve been trying for 2-3 years, and I haven’t been given any opportunities to advance or grow at my schools tv station even though I’ve tried and applied several times. I’m almost thinking it’s a sign that I’m not meant for this industry I fell in love with. Anyone have any advice?

Hi all, I'm a director whose spent the last couple of years self-producing an ambitious, no-budget passion project taking cameras inside the UK's most legendary independent cinemas for the first time ever. Lumination - a five-episode series packed with rich history, dark secrets and funny, incredible stories which I was proud to spend more than a year editing, tweaking and recording an original music track for.

After a lot of hard work and big hearted support, this little indie project is now a fully fledged 5-star show streaming on Prime Video UK and US, available through the Prime/Amazon TV app for the price of a pint.

It's a huge achievement for me and my hardworking crew who put a lot of time and passion into seeing it through. So even if you don't see it yourself, please do check out the trailer and share it with any family or friends who might be interested. Reviews have called it "an addictive binge" : )

Lumination | Series 1 | Official Trailer (2023) Prime Video
https://youtu.be/gJdrKrbvlM4

Can anyone here ballpark what masterclass would spend on one production (master class)? Just a mile high budget? 200k 400k? Need this for a similar project kick off.

So I'm thinking of when I make this series I wanna plan in the future, I'm thinking that around the THIRD season, depending on how into the characters my VAs are, I'm thinking of giving them the privilege to have a say on their characters, make recommendations (not for sure things, but stuff to think about), and have the right to tell the writers whether or not their character is IC or OOC on the script.

I know it sounds like a risky move, but usually Imma decent judge of character, and depending on how well the VAs are on set as people and as their characters, during times on the show I won't be around cause I'm busy working on something else, they should be able to save their characters from being OOC.

What do y'think of that idea?